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The story of Marie Laveau, the character featured on American Horror Story: Coven.
New Orleans in the mid-nineteenth century: a potent mix of whites, Creoles, free blacks, and African slaves, a city pulsing with crowds, commerce, and an undercurrent of secret power. The source of this power is the voodoo religion, and its queen is Marie Laveau, the notorious voodooienne, worshipped and feared by blacks and whites alike.
- Sales Rank: #286463 in Books
- Published on: 1995-01-15
- Released on: 1995-01-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .99" w x 5.50" l, 1.10 pounds
- Binding: Paperback
- 448 pages
From Publishers Weekly
NEA Fiction Award winner Rhodes's first novel brings to life a legendary 19th-century voodoo priestess.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
In this first novel, which is based on the life of a 19th-century voodooist, Rhodes attempts to place her subject within a feminist context. Brought to New Orleans from the bayou by her grandmother, a former slave, the fictional Marie is persuaded to marry Jacques, a black sailor, in order to escape her mother's fate. Marie's mother was a voodoo queen who was killed because white people feared her powers. Marie leaves Jacques and falls under the spell of John, a voodoo doctor who beats her and exploits her ability to influence crowds. When Marie recognizes and accepts her powerful voodoo heritage, she is able to free herself from John. While Rhodes effectively captures the erotic and racist climate of 19th-century New Orleans, her plot is overwritten and occasionally repetitive.
- Harriet Gottfried, NYPL
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
A gripping first novel that limns the life of African-American Marie Laveau, the legendary Voodoo Queen of New Orleans, with all the brooding intensity and latent menace of a summer's night on a lonely bayou. Assembling scattered references to Laveau in Creole folklore, Rhodes not only tells a riveting story but creates a panoramic portrait of New Orleans life in the early 1800's. Like a Dickensian London, the city where Marie confronts her destiny is a vibrant place teeming with Creoles, slaves, free blacks, aristo descendants of the French and Spanish settlers, and Yankees. Marie is a direct descendant of Membe, who, instructed by Damballah, the great snake god, became a slave so that she could mother the god's lost children in America. As Marie lies dying, an old woman revered for her good deeds, she tells her story to lifelong admirer Louis Delavier. Beginning in the middle--since ``the middle is the beginning of everything. Everything spirals from the center. Lies, pain, and loss haunt the future as well as the past''--she describes how she deliberately let her python, with whom she shared the spirit of Damballah, murder John--her Svengali, her nemesis. She then goes on to recall the happiest years of her life--her childhood with grandmother Marie in rural Tech‚, where on her tenth birthday she not only saw visions but had a frightening encounter with a man who ``smelled of ash and withered leaves.'' The man is John, who, sold into slavery, is interested in voodoo only for his own ends. He later seduces young Marie, exploits her visionary gifts, and ruthlessly destroys all those who thwart him. Marie's murder of John alienates her from her daughter, but--reconciling her Catholic upbringing with voodoo, an affirmative power when properly handled--she becomes a noted healer. All the ingredients of a bewitching read--atmosphere, adventure, mystery, and romance--as well as enough intellectual substance to give it a satisfying heft. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
36 of 36 people found the following review helpful.
A COMPELLING HISTORICAL NOVEL
By David D. Warner
Kudos to Jewell Parker Rhodes for an extraordinary piece of fiction based, in part, on fact. While some might argue that the picture Ms. Rhodes paints of the three Marie Laveaus is not entirely born out by the historical evidence, let's set the record straight. Take a close look at the title on the cover ... Ms. Rhodes clearly acknowledges that this amazing book is a NOVEL and never claims herself to be the definitive biographer of the REAL Marie Laveau or any of Marie's decendents.
That said, there are several reasons why I believe this book deserves 5 stars. First, the vivid imagery used so eloquently by Ms. Rhodes harkens back to the days of old when ALL history was oral history and story-telling was an art. What she has given us is a passionate tale of female courage in the face of injustice, triumph, tragedy, adventure, mystery and faith -- all packaged in a format that is superbly written and masterfully structured.
In my opinion, with VOODOO DREAMS, Jewell Parker Rhodes shines where most of the current best-selling authors fail. She leaves you begging for more, NOT wishing you'd spent your money at Starbucks.
5 of 5 people found the following review helpful.
Grittty imagery in a hauntingly beautiful novel
By A Customer
This is an amazing and superbly written book. I stayed up most of the night to finish reading it; I literally could not put it down. It's not often that I can describe a book at filled with gritty realism AND hauntingly beautiful writing, but that is my best summary of this fictionalized biography of Marie Laveau. However, while I appreciate what the author accomplished in explaining the troubling aspects of the Marie Laveau legends, this book was not a fun read for me. Then again, when I watch TV or go to the movies, I choose comedies, so I want to stress that this is purely a matter of taste. This book is a fabulous page-turner, and I am grateful for the deep historical research and insights this book provides. If you prefer realism to fantasy, or savor rich and vivid writing above all, you'll like this book. That said, while I rate the writing style high, I'd rather not think of Marie Laveau in this context.
0 of 0 people found the following review helpful.
Page Turner
By Neve B.
Its a great read I wish it's a little more detailed as fair as Marie Laveau but I loved every minute!
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