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Under a Hoodoo Moon is one of rock's most original and infectious autobiographies. In its pages, Dr. John, the alchemist of New Orleans psychedelic funk, tells his story, and what a story it is: of four decades on the road, on the charts, in and out of trouble, but always steeped in the piano-based soulful grind of New Orleans rhythmn & blues of which he is the acknolwedged high guru. From childhood as a prodigal prodigy among 1950s legends from Little Richard and Fats Domino to sesssions with the Rolling Stones and the Band; from recording studio to juke joint to penitentiary to world tours; from Mac Rebennack to Dr. John the Night Tripper, this is the testament of our funkiest rock storyteller. Full of wit and wordplay, tales of hoodoo saints and high-living sinners, Under a Hoodoo Moon casts a spell as hard to resist as Mardi Gras itself.
- Sales Rank: #801998 in Books
- Published on: 1995-03-15
- Released on: 1995-03-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .62" w x 5.50" l, .80 pounds
- Binding: Paperback
- 276 pages
From Publishers Weekly
As much a tribute to Rebennack's native New Orleans and its vibrant music scene as it is an autobiography, this candid book provides an inside look at the drug-using, hell-raising lifestyle adopted by many rock musicians. Writing in a loose, slangy style with freelancer Rummel, Rebennack, whose albums as Dr. John ( Gris Gris ; Gumbo ) helped popularize the distinctively Cajun-influenced music that is now a hallmark of the New Orleans sound, presents a compelling picture of his hometown as a place of enormous musical energy and excitement. We read of all-night jam sessions, quirky local characters and Voodoo rituals (the sobriquet Dr. John is borrowed from an early Voodoo master). Influenced by such New Orleans greats as James Booker and Professor Longhair, Rebennack hit the road with his first band when he was 16 and, because of narcotics, soon found himself in trouble with the law. He is oddly blase about drugs and tries so hard to maintain his cool-cat rock 'n' roll persona that he comes across more as a caricature than as a real person. The portrait of Crescent City's music scene, by contrast, has depth. Photos not seen by PW. Author tour.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
Rebennack, a.k.a. Dr. John the Night Tripper, was born in New Orleans in 1940. In his early teens he played hooky from Catholic school in order to pitch songs to Little Richard and Art Neville. By the age of 16, he had recorded an album of original songs and developed a heroin habit. Over the next six years, he honed his craft playing for strippers, pimps, junkies, and even a pickpocketing monkey. When the infamous Jim Garrison cleaned up the city in 1962, Mac took a two-year sabbatical at a federal prison in Fort Worth. Upon his release, he headed for California, where his prodigious session work led to his solo career as Dr. John, one of the Sixties' most outrageous and creative performers. Today, four Grammy Awards later and his drug problems behind him, he's still rocking. This no-holds-barred autobiography by the hippest, "fonkiest" cat to come down the musical turnpike is essential for music libraries.
- Dan Bogey, Clearfield Cty. P.L. Federation, Curwensville, Pa.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Musician Mac Rebennack, aka Dr. John, is the embodiment of New Orleans culture, and his colorful autobiography serves as a virtual history of the city's music from the 1950s on. As a teenager, Rebennack had already launched a successful career as a guitarist when his finger was nearly shot off, forcing him to switch to piano. Eventually, he landed in L.A., where he survived on session work until in 1967 his career as a headliner took off when he created the stage persona Dr. John the Night Tripper, a sort of psychedelic voodoo king. This book ends with Rebennack's return to New Orleans to record his most recent album, a tribute to the city's musical history. Some of its most engaging passages are recollections of musicians Rebennack learned from and played with; most notable among them is the affectionate tribute to his musical godfather, Professor Longhair. Like many such memoirs, the story loses a bit of its drive once its subject begins to achieve commercial success, but Rebennack's distinctive "N'Owleans" patois, which he and Rummel capture to perfection, helps sustain interest throughout. Gordon Flagg
Most helpful customer reviews
3 of 3 people found the following review helpful.
Insights into the post-war New Orleans music scene
By A. Fogey
I bought this book because I had heard a series of interviews with Mac (on [...]) made during the research for the book. The book is amazingly true to the interviews. The guy can talk. If I hadn't heard the interviews I might have been turned off by the idiosyncrasies of spelling and language, like fonk instead of funk.
To me, it provided a very absorbing inside look at the post-war New Orleans music scene. Man, that was tough: cut-throat competition for work, ubiquitous drugs, and significant violence. It was interesting to read about how so many people kept such remarkable focus on improving as musicians in the business. The discussions of the LA recording scene were interesting too.
12 of 12 people found the following review helpful.
For New Orleans music fans
By Javier Fernandez
I have read this book twice, not only because I like Dr.John's music, but also because I love the city of New Orleans and its cultural heritage. This book is more than just a musical biography; it's a chronicle of the Crescent City's music scene since the 50's and a huge source of musical information. Of course, Dr. John's biography and musical career is the main subject of the book and it will live up to your expectations. His recollections of his early career, Cosimo Matassa, Professor Longhair, Huey Piano Smith, Fats Domino, James Booker, and many more quoted in the book are priceless. His more recent musical experiences with big names such as Frank Zappa, The Rolling Stones, John Lennon, Van Morrison or Eric Clapton are remarkable too. On the contrary to many other musical biographies, there are not any gossips in this one, just music facts. Dr. John reviews some of his own recordings and includes some of the lyrics. There is also a chapter dedicated to the voodoo religion.
Co-written with author Jack Rummel, the book even works as a travel guidebook to the city. In one of my visits to the Big Easy after reading the book, I found places and sightseeings mentioned in it that I wouldn't find in any other guidebook. Highly recommended.
9 of 10 people found the following review helpful.
What a life!
By MamaRoux Jax
This book will give you a lot of insight to the wild web woven around and by Mac Rebennack. You'll learn more, and maybe to much, about his life, which will open your eyes to the lyrics he's written over the years and in what mental and physical condition he was in during those times. I've been a fan of Dr. John for as long as I can remember, but this book just amazed me! As much as I though I knew, I was wrong. His love of music got his soul in trouble with drugs and his fans were the ones who benefitted from his pain and suffering. He's grown, learned and bloomed into a clear, clean, insightful man. This book made me cry to think of all he went through to get to where he is today. I am lucky enough to own an autographed first edition. It is one of my most prized posessions. If you love New Orleans, Fonk, Blues, and Swampadelic music you MUST read this book!
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