PDF Ebook Reading Joyce's Ulysses, by Daniel R. Schwarz
Reading Joyce's Ulysses, By Daniel R. Schwarz Just how can you transform your mind to be much more open? There many resources that can help you to enhance your thoughts. It can be from the various other encounters and also story from some people. Book Reading Joyce's Ulysses, By Daniel R. Schwarz is among the trusted sources to get. You could locate numerous publications that we discuss here in this site. As well as currently, we show you among the most effective, the Reading Joyce's Ulysses, By Daniel R. Schwarz
Reading Joyce's Ulysses, by Daniel R. Schwarz
PDF Ebook Reading Joyce's Ulysses, by Daniel R. Schwarz
Reserve Reading Joyce's Ulysses, By Daniel R. Schwarz is one of the priceless worth that will make you consistently rich. It will certainly not indicate as rich as the cash give you. When some individuals have lack to deal with the life, people with several books in some cases will certainly be better in doing the life. Why should be publication Reading Joyce's Ulysses, By Daniel R. Schwarz It is really not indicated that e-book Reading Joyce's Ulysses, By Daniel R. Schwarz will offer you power to get to every little thing. The book is to review as well as exactly what we indicated is the publication that is reviewed. You can additionally see just how guide qualifies Reading Joyce's Ulysses, By Daniel R. Schwarz and also varieties of e-book collections are offering here.
When some people considering you while checking out Reading Joyce's Ulysses, By Daniel R. Schwarz, you could really feel so honored. However, rather than other individuals feels you must instil in yourself that you are reading Reading Joyce's Ulysses, By Daniel R. Schwarz not as a result of that reasons. Reading this Reading Joyce's Ulysses, By Daniel R. Schwarz will certainly give you more than individuals appreciate. It will certainly overview of understand more than the people looking at you. Already, there are many sources to knowing, reviewing a book Reading Joyce's Ulysses, By Daniel R. Schwarz still ends up being the first choice as an excellent way.
Why must be reading Reading Joyce's Ulysses, By Daniel R. Schwarz Once more, it will certainly rely on exactly how you feel and think about it. It is certainly that of the advantage to take when reading this Reading Joyce's Ulysses, By Daniel R. Schwarz; you could take much more lessons directly. Even you have not undergone it in your life; you can get the encounter by reading Reading Joyce's Ulysses, By Daniel R. Schwarz And also now, we will introduce you with the on the internet book Reading Joyce's Ulysses, By Daniel R. Schwarz in this internet site.
What kind of publication Reading Joyce's Ulysses, By Daniel R. Schwarz you will like to? Currently, you will certainly not take the printed book. It is your time to obtain soft file publication Reading Joyce's Ulysses, By Daniel R. Schwarz rather the printed papers. You can enjoy this soft documents Reading Joyce's Ulysses, By Daniel R. Schwarz in any time you expect. Even it is in expected place as the various other do, you can review the book Reading Joyce's Ulysses, By Daniel R. Schwarz in your device. Or if you want much more, you could continue reading your computer system or laptop computer to obtain complete screen leading. Juts locate it right here by downloading and install the soft documents Reading Joyce's Ulysses, By Daniel R. Schwarz in link page.
Reissued to commemorate the 100th anniversary of Bloomsday, Reading Joyce's 'Ulysses' includes a new preface taking account of scholarly and critical development since its original publication. It shows how the now important issues of post-colonialism, feminism, Irish Studies and urban culture are addressed within the text, as well as a discussion of how the book can be used by both beginners and seasoned readers. Schwarz not only presents a powerful and original reading of Joyce's great epic novel, but discusses it in terms of a dialogue between recent and more traditional theory. Focusing on what he calls the odyssean reader, Schwarz demonstrates how the experience of reading Ulysses involves responding both to traditional plot and character, and to the novel's stylistic experiments.
- Sales Rank: #1806428 in Books
- Published on: 1987-08-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .70" w x 5.50" l, .88 pounds
- Binding: Paperback
- 304 pages
From Library Journal
Schwarz's sensible, conservative reading of Ulysses emphasizes that "Joyce always returns from his fascination with stylistic innovation to focus on his characters." Though his approach is traditional, Schwarz does justice throughout to the novel's radical ambiguity and to contemporary critical theory. Chapters on how Joyce's fiction "signifies," Joyce's concept of the hero, and the role of the reader are followed by a substantial episode-by-episode reader's guide. The Iliad , Wilde, Yeats, Dante, Milton, Tennyson, Swift, and Blake figure prominently, and Schwarz argues strikingly for the central importance of the "Scylla and Charybdis" chapter. Though not a radical departure from earlier readings, this is a thoughtful interpretation that serious students of Ulysses will welcome. Keith Cushman, English Dept., Univ. of North Carolina, Greensboro
Copyright 1987 Reed Business Information, Inc.
Review
'This is a thoughtful interpretation that serious students of Ulysses will welcome.' - Keith Cushman, Library Journal
'...Reading Joyce's Ulysses will no doubt be useful to the student stalled in confusion when reading Ulysses for the first time...' - A.D. Perls, Choice
'Instead of adding further chips to that mountain of critical apparatus which unfortunately frightens so many readers away, Schwarz emphasizes the joys that even a first reading of Ulysses can yield, and the ways in which the novel itself suggests how it should be read...' - Graham Bradshaw, English Studies
Reviews of Hardback edition:
'Schwarz is very effective in mounting evidence of the staggering number of mythical and literary echoes sounded in its pages...Reading Joyce's 'Ulysses' is a stimulating, suggestive book.' - Melvin J. Friedman, James Joyce Quarterly
'...Schwarz moves easily and thoughtfully among wide ranges of critical thought...' - Sanford Pinsker, ELT
'Reading Joyce's 'Ulysses' is filled with instances of Schwarz's careful, erudite understanding of Joyce's metaphoric and allusive intentions...' - Rosemarie Battaglia, Studies in the Novel
'A good first critical book to consult after a reading of the novel; as an interpreter, Schwarz is reasonable, lucid and very well read in Joycean criticism.' - Professor Jefferson Hunter
From the Back Cover
In this major study of Ulysses, Daniel R. Schwarz not only presents a powerful and original reading of Joyce's great epic novel, but discusses it in terms of a dialogue between recent and more traditional literary theory. He takes full account of Gabler's Ulysses: A Critical and Synoptic Edition. Focusing on what he calls the odyssean reader, Schwarz demonstrates how the experience of reading Ulysses involves responding to traditional plot and character as well as to the novel's Stylistic experiment.
Most helpful customer reviews
0 of 0 people found the following review helpful.
ENLIGHTENING - Modern-day Odysseus, precursor to FINNEGANS WAKE
By James C Brandon
Joyce was 40 yrs old when Ulysses was published, it is a day in the life of a husband and father of Joyce's age (at publication). Joyce loved Dublin and Ireland and though the book was written on the European continent - he wanted to memorialize his birth home (Ireland). The framework of Ulysses is Homer's Odyssey - The Roman Ulysses: 1 Telemachus, 2 Nestor, 3 Proteus, 4 Calypso, 5 Lotus Eaters, 6 Hades, 7 Aeolus, 8 Lestrygonians, 9 Scylla And Charybdis, 10 Wandering Rocks, 11 Sirens, 12 Cyclops, 13 Nausicca, 14 Oxen Of The Sun, 15 Circe, 16 Eumaeus, 17 Ithaca, and 18 Penelope.
Literary complements like "Reading Joyce's Ulysses" can be helpful in understanding Joyce's works.
Ulysses is the tale of a Modern-day Odysseus, Leopold Bloom in his personal existential/sexual quest. The conclusion of this quest is the quintessential affirmation of humanity, the fundamental family unit - the father, mother, son, and daughter. Like Odysseus, absent from Penelope, traveling the world, for many long years, Leopold Bloom is also absent from his Penelope (in Dublin). Like a traveler (Odysseus), Bloom is sexually absent (abstinent) from Molly “10 years, 5 months and 18 days” (736). Unlike Odysseus, the obstacles Bloom faces are psychological (modern) - internal travails instead of Odysseus' external travails. Bloom's only son’s death has become a psychological barrier; as Molly reflects: “we were never the same since” (778). Yet Bloom is optimistic throughout the work - in regard to the possibility of another child, again Molly: ”Ill give him one more chance” (780). Affirmatively (as we grow to know Molly) we find she has given and is willing to continue to give Bloom “one more chance”. Through the course of the (Dublin) day, Bloom experiences “deep frustration, humiliation, fear, punishment and catharsis” (Herring, p.74). Bloom needs to lead himself back, out of self-deception, fantasy, and frustration to Molly’s (and his marriage) bed.
Bloom’s travails come in the Circe chapter and it is imperative (for Joyce) that as readers, we recognize Joyce’s change from Homer's Odyssey - this is Joyce's major rework, deviating from his Greek predecessor. For Odysseus: insight, understanding, enlightenment, and all importantly direction come to Odysseus in his journey to the (ancient Greek) Underworld. For Bloom, the Hades chapter or “the other world” represents an “emptiness of mind”; Joyce was a man grounded (and devoted) to the present world of man's consciousness and unconsciousness. In Ulysses enlightenment comes in the Circe chapter: described though the Joycean technique of hallucination or the discoveries of the "unconscious mind”. Joyce's Circe chapter (a surrealistic one-act Ibsen-like play) is where Bloom finds self-possession - (Joyce makes) Bloom encounter his own psycho-sexual existential questions, rather than finding life's answers in the dead ghosts of his life (the ancient Greek Hades chapter of the dead past).
In the Circe chapter, Bloom confronts and overcomes every major obstacle in his existential/sexual quest: the Molly he serves in Calypso reappears as Bello the whoremistress, Molly’s letter from Boylan and his from Martha are reworked into a series of seductive letters ending in a trial, his sexual infidelities beginning with Lotty Clarke and ending with Gerty McDowell are relived (importantly balanced by Molly’s infidelities) and reconciled, and lastly, Bloom triumphs over whore, Virgin-Goddess, and most importantly himself. Joyce equanimously gives both Molly and Bloom extramarital sexual infidelities - infidelities known by each of the other (as early as the Calypso chapter) Bloom was conscious of what was to come. Of course there will be resolution in marriage, for Molly only needs to feel that Bloom is willing. As we read, Bloom has undergone the travails of his own mind and has emerged Victorious. He has succeeded in his psycho-sexual existential quest. He has arrived at Molly’s bed. Self-possessed. Victorious. Eager.
Molly "I saw he understood or felt what a woman is and I knew I could always get round him...then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down in to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes. (END)".
After publishing Ulysses, Joyce began FINNEGANS WAKE (FW) - Joyce largely stepped out of one work into his next (and last work). The change Joyce made in FW was instead of using Homer's Ulysses as a framework - FW's framework is Giambattista Vico's "La Scienza Nuova's" 4 cyclic stages of history.
Joyce realized that he ended Ulysses wrongly (not in accordance with the Universe) in Molly's bed - Joyce corrects his mistake in FINNEGANS WAKE by incorporating Vico's revelation of restart / recirculation."HCE day" similar to Bloomsday (roughly 24 hrs): Chronologically FW starts with memories "book I:3" of HCE arrested in front of his gated refuge (from MaMaLuJo) unable to enter, unlike Bloom HCE does not enter through the back door, instead HCE is arrested in hours before dawn. Then memories "book I:4" HCE's psychological musings of past travails/guilts (living death, underworld excursion Ulysses ch Hades) while incarcerated in early hours of morning. Followed by memories "book I:2" HCE walks home through Phoenix Park accosted for the time of day (12 noon) which threatens (real/unreal memories, Ulysses ch Nausicaa) his innocent well-being. These 3 chapters in FW are Joyce's major rework to incorporate Vico's revelation of restart/recirculation into FW, Joyce rewrites 3 chapters of Ulysses: When He is denied Her front door, He is in Hell (on earth), when released (from Hell) His odyssey to Her begins again (with His ever-present accompanying internal travails) for She always knows when He is worthy of Her acceptance (their Paradise).
Then "book I:1" Finnegan's afternoon wake at HCE's tavern and retelling memories (books I:2-4). Inside HCE's tavern (his ship) his patrons talk about his family (Norwegian Captain and the Tailor's Daughter), truthful letters (ALP) and fabricated stories (books I:5-8 & II:3); while the children (Shaun, Shem and Iseult) are in and out of the family tavern/home all day taking their lessons (book II:2) and playing about with their friends (Shem's closing dream, book II:1); HCE, as proprietor, defends himself with a self-deprecating apologia before his intoxicated collapse late night (book II:3). HCE dreams on his tavern floor (book II:4); then dreams in his bed (books III:1-3); before intercourse with his wife ALP (book III:4). HCE & ALP's lovemaking dissolution dream (book IV) to awaken to a new day, Joycean Nirvana is attained by ALP's (& HCE's) awaiting Joyce's God "thunderclap" at the beginning of FW's "book I".
FW is aural (oral) history like Homer's Odessey and Celtic folktales - when one pronounces (phonology) FW's words (aloud) there are more languages than just English; also, when one reads (morphology) FW's words almost all the words are "portmanteaus / neologisms" which gives each of FW's "poly-syncretic" words many meanings (universal impermanence, Heisenberg uncertainty/obscurity), each FW syncretic sentence dozens of possible messages, each FW syncretic paragraph hundreds of possible readings, Joyce's rendering of a more expansive English language and multiplicating universal book with coalescing syncretic themes/stories (that responds/opens to each reader's inquiries). Joyce schooled in Christian Jesuit metaphysics (pushed down into the mindfulness of human consciousness) breathes in the spirit of expansive Celtic (Irish) democratic community tavern life where man's stories of life are told. Tavern life teaches the evolution of Joyce's ten "thunderclaps" (one hundred lettered words) pushing man's (technologic) evolution forward from cave man's tales to modern tv media tales: Indra's thunder upheavals: 1) Emergent human technologies (wheel, cloth, etc.), 2) Women's social/stratifying clothing (i.e. civilization's divisions), 3) Effeminate clerical social control (Buddha, Lao-Tze, Christ, Toltec seers, etc.), 4) Feudal degradation (cities/urban plight), 5) Writings disseminated (Gutenberg's press), 6) Renaissance (blooming informed culture), 7) Radio (instantaneous information), 8) Film (disseminated culture), 9) Reciprocating Engine (democratized travel), 10) TV (instantaneous global media culture). Inside the tavern man learns of the purely human (animal) fall, taken down by another human(s) - like animal taken down on the African savanna. A granular reading of FW can render FW as an updated John Milton's Paradise Lost (regurgitated knowledge from the tree, to affirm man's damnation); however, Charles Darwin's The Origin of Species was published in 1859 and Joyce in FW book II clearly walks Shaun, Shem and Iseult through their earthly evolutionary lifetime travails, our mortality is a consequence of Life's evolution. Every page of FW speaks to man's (unconscious biological survival, conscious "racing competitive" social, contemplative aspirational personal) evolution and to Life recirculating (West meets Dzogchen East a "meeting of metaphysical minds") that binds humanity together into the future. Dzogchen (beyond all dualistic polarities) the heart of human consciousness - Joyce's underlying (subcutaneous) arguments refute the "Western curse of metaphysical/mythological damnation", the curse does not exist in the Eastern mind. Like "counting the number of angels on the head of a pin" (Aquinas 1270) Joyce provides a granular/expansive reading of FW as a "defense against all Western adversity" for our conscious and unconscious Western travails. HCE's angst is caused by his community that imposes a Western curse (damnation) upon him that man is not guilty of...to experience Joycean Nirvana, a defense against this man-made guilt is required - for as Zoroaster revealed cosmogonic dualism, evil is mixed with good in man's everyday universal travails (even the Dalai Lama must defend Nirvana rigorously from the most populous authoritarian state in human history).
Joyce's FW celebrates the Joys of Christian/Buddhist diversity of humanity (expansive human consciousness: Gnostic Norwegian Captain, Shem, Archdruid), Brahma (Finnegan, HCE, Shaun), Divine Women (ALP, Iseult, Nuvoletta), his family - and the Sufferings of the inescapable "evil" of Shiva (Buckley), the debilitating harmful sterile intrusive authoritarian institutionalizing damnation (MaMaLuJo, St. Patrick) by Augustine, the manufactured clerical corruptions identified by Luther et al. (since 367 AD) and the burdens of "survival of the fittest" anxiety (modern commerce) met with a Dzogchen Buddhist stance. The (innocent infant) Norwegian Captain (Krishna, HCE), occasionally defensive (Shiva, HCE), though concretized (Brahma, HCE) by community family life (MaMaLuJo) - through spirits (drink) HCE accesses his spirituality (dreams) and through spiritual (cutting through) love-making with ALP (direct approach) they access (their Krishnas), unification with the Unmanifest. Joyce was a Prophet who consumed Man's conscious and spiritual "thoughts and dreams, history and gossip, efforts and failings" - to reveal the joys (Nirvana) and sufferings (Samsara) of Mankind.
Joyce's FW message: Christian/Buddhist omniscient compassion (Christ/Krishna) is eternally joyful and recirculating. Affirmative family (HCE/Brahma, ALP/Divine woman & children) existentiality: life's biological evolution (sex), modern survival (money), constraining community (Dharma, social evolution) are constantly assaulted by inescapable "aggressive insidious vile" corrupt soul(less/sucking) ossified demonic antipathetic attacks. Joycean Nirvana is attained via the Christian/Buddhist affirmative middle way, "beyond polar opposites" the path of Christ/Buddha.
JCB
7 of 7 people found the following review helpful.
Re-reading Ulysses: for the re-repeat reader of Joyce
By John L Murphy
The title's misleading: this isn't for a first or even second or third-time reader of Ulysses. While many books now offer the novice "training wheels" to steady a ride through the Hibernian labyrinth, fewer meet the demands of intermediate readers in an accessible manner that can be recommended to non-academic, amateur Joyceans. While much freer of jargon than many of his scholarly peers, Schwarz' study is not a book to skim. I'm not even sure that RJU is the perfect answer for the repeat reader--much of the first hundred pages I found very dense, both exhausting and stimulating in turn, and I'm a literature professor! But, as the author insists, Joyce demands more of us than other writers, and we need to work out to meet the challenge and earn the reward. No pain, no gain, indeed.
As a coach, Schwarz in his "humanistic formalism" teaches us a sensible interpretation based on Joyce's "metaferocity." This plan charts the metaphorical circles around the Bloomsday core, and explores some of their ripples. His thesis: 'If the result of the action of Ulysses is to enable a more mature and gifted Stephen-Joyce to write Ulysses, the result of reading Ulysses is to enable us to become consubstantial with the plenitude of Joycean voices.'(61) He argues throughout against those critics who claim that the style of the book, especially in its latter half, overwhelms the tale and its characters.
To support this, his defense of the difficult chapters such as Eumaeus and Ithaca advances his proof that here the style captures the problems Stephen and Bloom have in establishing a true rapport. Earlier, he draws upon Bloom's Jewishness to illuminate a crucial distinction between the pair: "Joyce is also contrasting a characteristic Jewish turn toward tomorrow and acceptance of today--even while being fully conscious of the frustrations of the present and disappointments of the past--with the Irish preoccupation with a romanticized version of the past and the Catholic obsession wuth dwelling on past sins and measuring every action according to a strict and narrow barometer of sins and grace." (105) Furthermore, although many of Schwarz' suppositions do strain a bit of credulity (I fail to see despite twice being assured that 16 by the term itself clearly symbolizes homosexuality; his reading of Bloom as one of the 36 Wise Men, a lamed vov, of Jewish tradition does not seem supported in Cyclops; or his claim that the pair's relationship fails to be obscured by the prose of Oxen of the Sun), I did enjoy immensely his playful exegesis linking the Citizen and his cronies at Barney Kiernan's to a nearly complete Seder!
A couple of drawbacks: a tendency by the author to ask every couple of pages stiltedly "Do we not see" or "Must we then not claim" types of questions when assertions would've strengthened his claims better. Also, once in an endnote and once in the text, paragraphs from earlier in his text reappear verbatim. Added to this a need to proofread for typos and errors such as "principle" for "principal" leaves me a bit disappointed at the quality control exerted upon the manuscript.
Still, a worthwhile exertion for those taking on Ulysses after the training wheels have come off and the need to enter a mental marathon impels the reader to return yet again to mid-June 1904.
Half-a-star rounded up for effort. 3 1/2- 3 3/4 stars, more precisely.
Reading Joyce's Ulysses, by Daniel R. Schwarz PDF
Reading Joyce's Ulysses, by Daniel R. Schwarz EPub
Reading Joyce's Ulysses, by Daniel R. Schwarz Doc
Reading Joyce's Ulysses, by Daniel R. Schwarz iBooks
Reading Joyce's Ulysses, by Daniel R. Schwarz rtf
Reading Joyce's Ulysses, by Daniel R. Schwarz Mobipocket
Reading Joyce's Ulysses, by Daniel R. Schwarz Kindle
Tidak ada komentar:
Posting Komentar