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# PDF Download Tina Modotti: A Life, by Pino Cacucci

PDF Download Tina Modotti: A Life, by Pino Cacucci

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Tina Modotti: A Life, by Pino Cacucci

Tina Modotti: A Life, by Pino Cacucci



Tina Modotti: A Life, by Pino Cacucci

PDF Download Tina Modotti: A Life, by Pino Cacucci

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Tina Modotti: A Life, by Pino Cacucci

The life of Tina Modotti is the stuff of enduring legend. Her sensual, melancholic beauty inspired the work of the most brilliant artists, photographers, and writers of her time, including Diego Rivera, Edward Weston, and Pablo Neruda. Her fierce commitment to the social and political causes of the working class and her affiliation with the Mexican Communist Party landed her at the center of national controversy in Mexico. A gifted photographer in her own right, Modotti is now widely recognized as one of the great artists of the early twentieth century.

Born in Udine, Italy, in 1896, Tina Modotti immigrated to the United States at the age of seventeen, settling with her family in San Francisco in order to escape the misery and poverty of the world from which they came. Modotti initially sought work in the local silk factory and as a dressmaker, but her beauty and poise soon launched her into a career as a silent film actress and artist's model. It was through her work as a model that she met photographer Edward Weston. Though already married to California poet Roubaix de l'Abrie Richey (known as Robo), Modotti fell in love with Weston and with photography and left with him for Mexico in 1922.

It was in Mexico that Modotti blossomed, both as a talented artist and as a fiery and dedicated worker for the cause of the revolutionary left, and where she befriended artists Rivera and Frieda Kahlo. However, in 1929 Modotti, long under suspicion by the Mexican police, was arrested in connection with the murder of Julio Antonio Mella, a Cuban revolutionary and also her lover. Though the real killers were never identified, the Mexican press raised a scandal by publishing nude photographs of Modotti taken by Weston and depicting her as a woman of easy virtue. She was eventually exiled from Mexico. Denied re-entry to the United States, Modotti fled first to Germany and then to Moscow, where she abandoned her photography and worked as a bureaucrat for the Communist Party and traveled on clandestine missions for the "Red Rescue."

In 1936 Modotti moved to Spain, where she met Ernest Hemingway, John Dos Passos, Andre Malraux, and Robert Capa. Although Capa tried to encourage her to take up her photography again, Modotti was by now dedicating herself exclusively to political militancy. At the fall of the Spanish Republic in 1939, Modotti returned to Mexico, where she died on January 5, 1942.

In this internationally acclaimed biography, Pino Cacucci brings the adventurous, riveting, and tragic story of Tina Modotti to life. He shows great compassion for his subject even as he explores the darker side of the passion that drove her--a side filled with doubts and fears regarding her actions and her commitment to the political cause in which she found herself entrenched. Set in Mexico, Germany, and Spain, with a large and fascinating cast of notable characters, Tina Modotti penetrates the inner sanctum of communism and the artistic circles of the late 1920s and '30s, and it paints a brilliant portrait of a woman and an era.

  • Sales Rank: #788087 in Books
  • Published on: 1999-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.75" w x 1.00" l,
  • Binding: Hardcover
  • 225 pages

Amazon.com Review
In 1913 Italian-born Modotti (1896-1943) immigrated to the United States, where she enthusiastically embraced both radical politics and photographer Edward Weston, the first of many prominent men who would love the charismatic artist. Apart from the formally rigorous, socially engaged photographs that made her reputation, Modotti's most ardent passions were for revolutionary Mexico, where she lived from 1922 to 1930, and for Communist activist Julio Mella, whose murder in 1929 engulfed her in the juicy scandal with which Italian journalist Cacucci opens his dishy biography. Modotti spent the 1930s serving the Soviet Union's interests in many of the world's hot spots, notably Spain during its vicious civil war; commitment to Communism gave her a sense of stability her turbulent personal affairs did not. She died mysteriously four years after her return to Mexico, by rumor at the hands of Stalinist poisoners. Cacucci's fascination with abstruse Communist ideological squabbles may not be shared by all readers, and his methodology is decidedly slapdash: he doesn't provide footnotes, and pages of direct dialogue have no discernable source other than the author's imagination. However, his breathless prose certainly conveys the drama of Modotti's short, intense life. --Wendy Smith

From Library Journal
The photographer and Communist organizer Tina Modotti (18961942) lived in a seeming whirlwind of artistic creation and personal and political intrigue. Two new biographies trace her life as she developed her immense artistic skill, loved passionately, and eventually sacrificed her art to her work for social justice through the Communist Party. In a brief and clipped work, Italian journalist Cacucci lays out the machinations of Modottis life. He sketches a chronology of her love lifeincluding her relationships with the young poet known as Robo, the photographer Edward Weston, the Cuban revolutionary Julio Antonio Mella, and the menacing Soviet operative Vidali Vittorioand seems unduly fascinated by the power of Modottis beauty. As a result, she comes off as a frail social climber, and the book is tiring at best. On the other hand, in the most complete and readable biography of Modotti to date, Albers, a curator and writer, portrays a complex woman who made extraordinary life choices in an attempt to unite personal desires with the social realities of her time. While men were important to Modotti (she once playfully proclaimed them to be her profession), she was a thoroughly modern woman who cared most about navigating the wavering balance between life, art, and the need for social change. Albers avoids casting Modotti in a clich, acknowledging that she was never entirely free of either the fear of impoverishment or the encumbering domestic role women were expected to play. Rather, Modottis mind was often absorbed in the minutiae of life: setting up households, making pasta, planning art shows, and facilitating Party efforts. When considered in this context, Modotti seems more inspired workhorse than princessand all the more interesting for the added detail. Libraries can avoid Cacuccis effort, but Alberss is essential. [Photographs not seen.]Rebecca Miller, Library Journa.
-Rebecca Miller, Library Journal
Copyright 1999 Reed Business Information, Inc.

From Kirkus Reviews
Here's a blockbuster romance waiting to be filmed: Beautiful, gifted Italian immigrant turns Soviet spy and is loved by Edward Weston, befriended by Diego Rivera and Frieda Kahlo, and, after her mysterious death, mourned by Pablo Neruda. According to Italian writer and journalist Cacucci, Modotti came to the US from Italy in 1913. She was 17, strikingly attractive, and enigmatically compelling to the poet/painter whom she soon married and followed to Los Angeles. Her voluptuous figure gained her femme fatale Hollywood roles, but she abandoned cinema in favor of an intense affair with photographer Weston, who introduced her to the still camera. Modotti and Weston headed for Mexico City, where Tina involved herself in the postrevolutionary artistic and political ferment. In their circle were artists Rivera, Xavier Guerrero, David Siqueiros, and others who influenced her politics and her work. Increasingly sure-footed in her photographs of street life, she ``opened the door to social documentary,'' according to the author. Nevertheless, her hard-line Communist stance forced her to flee Mexico for Moscow. Giving up photography, Modotti alternated Politburo duties with political espionage, landing in Spain during the Civil War. Reassigned to the US, she was deported to Mexico, where she backed off from the Communist Party, disillusioned by the Hitler/Stalin pact and the first assassination attempt on Trotsky (then in Mexico). She died in 1943 in a taxi, en route home from a dinner party. Was it suicide or assassination? No sure answer. This biography was published in Italy in 1991 and has been translated somewhat stiffly into English by Duncan . More troubling than the stops and starts of the translation are the intermittent ``you-are-there'' dialoguesbetween, for instance, Modotti and a Mexican prosecutor, and Modotti and lover Julio Mello. Who was present to record these conversations? A life of mystery, passion, dedication, and talent that begs, ``Tell us more.'' (16 pages b&w photos, not seen) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

6 of 13 people found the following review helpful.
LAUGHABLE for its historical value
By A Customer
Although I agree that San Francisco was home to many artistic and cultural activities that make it distict from any other American city, to assert that it was "Not founded by Anglo-Saxon Protestants, San Francisco developed as a city without Puritan influences, much like the great European cities that favored radical innovations and a healthy indifference toward conventional morality." (can you taste the superiority of the european writer in that quote?)
Anyone who believes that does not know who founded San Fransisco. Guess what. It was Mormons. Yep. They pulled into the bay and off loaded from the Good Ship The Brooklyn, before the gold rush and mass influx of others. Before that, it had been all but abandon as a Presidio by the Spanish. And since I know my history, I can tell you the Mormons of that time had more in common with the Puritanism of the original colonies than other Anglos. But that is just one of the stretches... Of course the Mormons were over run with the advent of the Gold Rush. San Francisco has been a pendulum that swings back and forth from anarchy to corruption in its city government in the last 150 years.
As for the rest of the book, take out some of the added quasi-history spices and it would have been much more valuable, or at least worth recommending. But maybe I shouldn't look at it for historical value, but as a great romance?

7 of 10 people found the following review helpful.
An astonishing life!
By A Customer
Tina Modotti -- photographer, model, lover of famous men, revolutionary Communist. What a fascinating life. I finished this biography -- which flows like a novel -- inspired to follow my own convictions and amazed by this bewitching, powerful woman.

0 of 0 people found the following review helpful.
Five Stars
By alberto f.
excellent book. It takes dawn many novels

See all 3 customer reviews...

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