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Unspeakable ShaXXXspeares is a savvy look at the wide range of adaptations, spin-offs, and citations of Shakespeare’s plays in 1990s popular culture. The Bard has permeated contemporary film, television, video, and electronic media such as Internet Websites and CD-ROMs in direct translation, interpretation, and as a cultural icon. While we may be familiar with Laurence Olivier and Kenneth Branagh’s film adaptations of the plays, what does it say about our culture when Shakespearean references turn up in television episodes of The Brady Bunch and Gilligan’s Island, films like In and Out and My Own Private Idaho, and hardcore porn adaptations of Hamlet and Romeo and Juliet? Instead of lamenting this unusual dissemination of Shakespeare from a position of literary authority, Burt reads the reception of these often quite bad replays in relation to contemporary youth culture and the "queering" of Shakespeare. Documenting a fascinating array of Shakespearean citations that are so far from their originals that they no longer count as interpretations of the plays, Burt considers what Shakespeare enables American popular culture to do that it couldn’t otherwise do without him and scrutinizes academic fantasies about fandom and stardom. This book puts Shakespeare studies on the front burner of popular culture.
- Sales Rank: #4444344 in Books
- Published on: 1998-10-15
- Original language: English
- Number of items: 1
- Dimensions: 1.13" h x 5.81" w x 8.55" l,
- Binding: Hardcover
- 304 pages
Review
“...Brilliant...A dazzling tour-de-force: one of the most original works to have appeared recently, be it in the field of Shakespeare studies or popular culture.” —Early Modern Literary Studies
“...his study is invaluable insofar as it challenges us to rethink our assumptions, whether affirmative or dismissive, about the value of attending to unspeakable Shakespeares.” —Theatre Journal
About the Author
Richard Burt is Professor of English and Film and Media Studies, University of Florida. He is the author of Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture; Licensed by Authority: Ben Jonson and the Discourses of Censorship; and the editor of Shakespeare After Shakespeare; Shakespeare After Mass Media; and The Administration of Aesthetics. Burt also co-edited a special issue of Exemplaria on “Movie Medievalism” and held a Fulbright scholarship in Berlin, Germany from 1995–96.
Most helpful customer reviews
2 of 3 people found the following review helpful.
Top Shelf ShaXXXspeare
By A Customer
Unspeakable ShaXXXspeares addresses the use of Shakespeare in American popular culture, especially film. Richard Burt is particularly interested in the way Shakespeare is rewritten or repositioned in teen movies, cult cinema and pornographic films. Shakespeare is either a covert presence as in 10 Things I Hate About You, or is foregrounded through mis/quotation to illustrate a character's status as cool or nerdy, as in Clueless or Never Been Kissed.
Richard Burt's ideas on the loser and kiddie culture underpin his investigation of Shakespeare at the periphery of American popular culture. Academic scholarship has been slow to address these rewritings and appropriations of the playwright and his work up until now.
However, one of the many joys of reading Unspeakable ShaXXXspeares is to discover just how accessible it is to scholars and non-scholars alike. Dr. Burt's playful ruminations upon the intellectual winner as a loser figure and vice versa is both entertaining and startlingly poignant. Finally, Unspeakable ShaXXXpeares is a book which opens the way for further exploration of Shakespaeare's multi-faceted presence in the mass media.
4 of 5 people found the following review helpful.
Dick Burt Kicks Ass
By Hussein Ibish (hibish@adc.org)
Professor Richard Burt of UMass-Amherst has produced an excellent demonstration of his own theory of looser-criticism, which perfectly captures the most useful trends in literary studies. Bungee-jumping off of the tip of the ivory tower, Burt thrusts forcefully into the depths of pop-culture, kiddie-culture, hard-core porno and the rest of what is most dynamic and influential in contemporary American culture. Reveling the velvety folds of Americana, Burt finds (gasp, choke) Shakespeare, alive, well and living in da hood. His erudite, fearless and shameless investigation explains both the continuing relevance Shakespeare's work, and the significance of Shakespeare as a pop icon, in (apparently) ALL facets of US culture. By rights this intervention ought to make Burt, a man who constantly promotes his own fascination with celebrity, a media celebrity himself (next on Springer: "You read my book, bitch!"). This is a volume that must be read by all who profess a serious interest in Shakespeare and/or popular culture. And therefore never send to know for whom the porn was made - it was made for thee. Word.
6 of 8 people found the following review helpful.
Burt's book's a stunner
By A Customer
Combining glittery high theory with `low' culture materials, Richard Burt has written an absolutely brilliant, path-breaking study of Shakespeare in contemporary mass media, focusing mostly on film, but discussing t.v. sit-coms, comic books, and novels as well. Most of these films and other texts have never before been archived or examined by any other Shakespeare critic. What is particularly original about Burt's book is the way he views what he concedes are often trashy films, including some hardcore pornographic adaptations, from the vantage point of the critic as loser. Instead of trying to redeem mass culture `trash' as politically dissident, transgressive, or subversive material, as most critics doing cultural studies now do, Burt questions whether the trashy material he examines can be recycled, and opens up as a profound, troubling question whether criticism (avowedly political or not, high-minded or low-minded) can ever fully transcend questions concerning its own potential triviality and stupidity. This is a very sophisticated and challenging book, but is very accessible and very entertaining. Burt will soon emerge as the Stephan Greenblatt of post-millenial Shakespeare criticism. His book is a truly remarkable read!
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