Free PDF In the Garden of Papa Santuzzu: A Novel, by Tony Ardizzone
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In the Garden of Papa Santuzzu: A Novel, by Tony Ardizzone
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In the Garden of Papa Santuzzu is a magical, warm, and wise novel about a close-knit family's immigration from Sicily to America in the early 1900s. Wanting more for their children and grandchildren than a lifetime of servitude in the fields of a tyrannical Sicilian landlord, Papa Santuzzu and his wife, Adriana, push their seven sons and daughters, one by one, to immigrate to La Merica, a land of promise and opportunity. Here is a rich and vibrant novel about the stories families tell each other, stories that make up a deeply personal and a common history.
- Sales Rank: #2260418 in Books
- Published on: 2000-07-07
- Released on: 2000-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .79" w x 5.50" l, .97 pounds
- Binding: Paperback
- 352 pages
- ISBN13: 9780312263416
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Gathered around a metaphorical campfire, the members of the extended Girgenti clan take turns regaling us in this robust, beguiling novel about family and the immigrant experience in the first half of the 20th century. Ardizzone, the author of two previous novels (Heart of the Order, etc.) and a story collection (Taking It Home: Stories from the Neighborhood), doesn't cleave to conventional narrative hereAeach chapter is a distinct vignette, with occasional overlaps as the characters intersectAso he depends instead on exquisite language and anecdotal charm to propel the narrative. The cumulative effect is of a kind of Sicilian Canterbury Tales, rich with fable and folklore and religion even as it traces a familiar pattern of immigrants struggling to survive in a hostile new world. One by one Papa Santuzzu sends his seven children off to "La Merica," while he remains in Sicily with his dead wife and his hard patch of garden dirt. But the gesture, intended to save his family from a life of poverty, inevitably drives them apart; in America, the siblings scatter from coast to coast and reunite only when fate and an unexpected funeral pull them back together. The novel, then, becomes a eulogy for a lost culture. Ardizzone nods to traditional immigrant tales: scenes of Ellis Island, sweatshops and brutal discrimination at the hands of the upper class. But the book's lasting power derives less from its pointed, perfunctory snapshots than from Ardizzone's sharp metaphors: when the police shoot a striking worker, for instance, she makes "a bird's nest of her thin, white fingers" to cover her wound; for most readers, that bird's nest will linger longer than the unjust death. Agent, Kit Ward. (July)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Ardizzone's third novel is not your typical immigrant story. When the seven children of Papa Santuzzu emigrate from rural Sicily to La Merica, they do so one or two or three at a time. This allows Ardizzone, better known for short stories (Larabi's Ox, LJ 9/15/96), to travel back and forth in time and geography, relating magical homeland stories as preludes to immigrant realism. In Sicily, dreams mix with visions, folktales overtake events, witches cast spells on landowners, dogs and wolves talk, and ewes give birth to 87,000 human children. In the end, Santuzzu's grandson returns to the "garden," where Santuzzu will live again, time bending back on itself through the family's history. Ardizzone's fascinating work is an intriguing addition to the smallish group of Italian immigrant novels. More literary than literal, the book reads as if told by ghosts around an open fire. Recommended for literary and Italian American collections.AHarold Augenbraum, Mercantile Lib. of New York
Copyright 1999 Reed Business Information, Inc.
Review
“The author must have sat at the knees of beloved grandmothers and aunts to learn these tales....At the end we feel we've sat at the table of a family that has lived the transformation of the Old World into the New in every fiber of their bones.” ―Thomas Simpson, Chicago Tribune
“Lusty, whimsical, and reverent...Like tributaries into a slow and relentless river, [the Santuzzus'] stories merge with Old World folk tales, Catholic miracle lore and the darker realities of American history.” ―Dan Carpenter, The Indianapolis Star
“Robust, beguiling...rich with fable and folklore and religion.” ―Publishers Weekly
“Fascinating...reads as if told by ghosts around an open fire.” ―Library Journal
Most helpful customer reviews
3 of 3 people found the following review helpful.
"Cu nesci arrinesci" (He who leaves succeeds)
By AKA
Tony Ardizzone's novel, In the Garden of Papa Santuzzu, is an abundant collection of magical stories and magnificent language woven together to create a extraordinary loving novel about not only Sicilian Americans but also the heartbreak and hope of common people who leave a home to begin again somewhere else. In Ardizzone's case the people are poor Sicilian farm laborers who endure backbreaking work in the rocky fields of oppressive baruni. The place they migrate to is La Merica. The story begins as the character's father, Papa Santuzzu and his wife Adriana, push their sons and daughters, one by one, to the land of opportunity and promise.
Rosa Dolci, Gaetanu, Luigi, Assunta, Salvatore, Rosaria and Livicedda Girgenti, Teresa Pantaluna, Ciccina Agneddina, and Carla and Gerlando Cavadduzzo all bribe their way out of the poverty of their island--one disguises herself as a man; another gains the help of enchanted eels. In La Merica they each settle in different cities and wait for their father to arrive. He never does. The children find jobs where "everyone is made to kneel down before Big Business and its creator, Capitalism." One brother becomes a baker, another a hobo, another participates in the formation of a union in Lawrence, Massachusetts. The child Anna experiences visions of a Black Madonna in a Chicago orphanage.
Each of the siblings, in their own way, runs up against the barons of industry--not much unlike the tyrannical landlords in Sicily--who comment that if the garlic-reeking, "black-eyed and swarthy" Italians who have "an inborn inclination towards criminality" falls incapacitated beside his machine, "there are over a hundred others willing to take his place, often at a lower wage."
The family truly becomes American--and the new world becomes not new anymore--when one of them dies. They cry so much as they drop his flesh into the ground that they realize a passing stranger might think they were crude. Yet more than that, as they stand at gravesite, they already know that "we had come to a land that would stunt and shame and silence us."
This seems the wise impetus for Tony Ardizzone's novel. Each chapter of ...Papa Santuzzu tells whom an immigrant---Sicilian, Italian, Mexican, Korean--might be. It is a story about the divine within gentle, valuable souls; it is family story; it is a story that makes you feel as if you are being held by a loving grandparent. Most importantly Tony Adrizzone's novel echoes the past more loudly than the present so that future generations will not forget where they have come from.
5 of 6 people found the following review helpful.
Taking a Sicilian Perspective on Immigration to The USA
By James C. Mancuso
Ardizzone recounts the tales of how each of the children of Santuzzu and Adrianna participated in the Italy-to-The-USA avventura. As he tells the tales, Ardizzone skillfully prompts readers to take the perspectives that guided the actions of the seven siblings; the children of Papa Santuzzu Girgenti and his wife, Adrianna. As did many of the Sicilian and Southern Italian people who occupied the bottom rungs of the socioeconomic hierarchy, Santuzzu and Adrianna produced an abundance of offspring - seven children: Carla, Gaetanu, Luigi, Salvatore, Rosaria, Livicedda, and Assunta.
And, as did many over productive families in the southern end of Italy, the Girgenti family solved their family's economic problems by joining millions of their emigrating co-nationals.
As Ardizzone shaped the stories of each of the family's emigrants, he conveys a cornucopia of the detail about the ideologies and beliefs that derive from the Sicilian family's constructions (ways of viewing) the objects and events of their lives: the place of work in their lives, the familial obligations of the family's members, the ways of cultivating plants, the place of food and cuisine in the daily and festive lives of the community and family, the managing of sexual attraction, the process of courting and marrying, the honoring of selected saints, the framing of relationships with persons who hold power.
After an introductory chapter that summarizes the family's emigration, the tale of Gaetanu - the oldest son - premiers the overall narrative. In the introductory chapter, Ardizzone frames Gaetanu's departure within the mythology of La America that infiltrated the Sicilian countryside, at the turn of the XIXth and XXth centuries.
The family faces the deep pain of the parents as they order their son to leave. Anyone who has experienced the partings of Southern Italian family will grasp the meanings which Papa Santuzzu, Adrianna, and Gaetanu placed on the scene that Ardizzone describes:
"The next morning Gaetannu made ready to depart. He kissed Papa Santuzzu for the last time. He kissed Mamma Adrianna for the last time" (p. 11).
The chapter describing Gaetanu's tale characterizes the thrust of Ardizzone's literary effort. Ardizzone frames the story as a first person narration by Gaetanu Girgenti. The core of the story centers around the working conditions encountered by immigrants to the northeast of The USA. To begin, Gaetanu learned of the operations of the padrone system - the labor contractors who helped the unschooled emigrants, and who, in return, extracted a hefty profit for their services. As Gaetanu recites the history of his emigration he interjects the story of the famed Bread and Roses Strike that, in 1912, brought the International Workers of the World to the attention of the broader populace of The USA. During the recitation Gaetanu names two Italian-Americans who became central figures in the strike, Joseph Ettor and Arturo Giovannitti. In that way, Ardizzone lays out the concepts of labor unity, led by talented organizers, one (Giovannitti) who himself was an immigrant from Italy.
In telling the tale of Luigi, the second son, Ardizzone introduces his readers to the concepts of social organization that induced young Sicilian men of the period to join the the island's bandit gangs. Speaking in the first person, the woman who would become the wife of Luigi lays out the relationships between the contadini, the owners of the huge tracts of land, and the overseers that the landowners sent to direct their affairs .
In telling of Papa Santuzzu's refusal to accompany the last party of siblings to The USA, Ardizzone elaborates on themes of family obligation and responsibility. Papa Santuzzu insisted that he could not foresee adjusting to life in The USA, and vehemently claimed that he could happily live out his life among the almost life-like memories of the people who had played central roles in his life - the people who inhabited the garden of Papa Santuzzu.
While describing Papa Santuzzu's parting with the last of his offspring, Ardizzone repeats his use of the techniques of "magical realism" writing - techniques that some readers might find less than attractive.
In the end, in this sweeping epic, Ardizzone introduces his readers to a very wide variety of the the concepts that were used by the people of the avventura - the great turn of the 19th/20th century migration from Southern Italy to the western hemisphere. A reader of this book will have had ample opportunity to construe all kinds of events and objects in ways that the cast of characters he describes would have construed those events and objects.
7 of 8 people found the following review helpful.
From the Old World to the New
By disheveledprofessor
In the midst of poverty in the rock-filled land of Sicily, "La Merica" beckons with its streets of gold. As did many peasant families, Papa Santuzzu encourages his seven children to leave, one by one. By turns, the Santuzzu brothers, sisters and spouses tell of their adventures; because the chapters are each told from a different viewpoint, they can almost be read independently. They are irreverent [God is described as old man who wants "to sit back in his most comfortable chair and listen to Verdi on the radio."] Myths and fables are woven in the stories, often catalysts of change, as well as Catholic miracles. Life is harsh: people are cheated, people are unwanted, people die. And yet there is a sense of zest for life.
I found the "oral history" aspect of the stories fascinating, but was a bit "put-off" by the mythical aspects. And I question the feminist view of God: was that appropriate for that era, or is that the influence of our era?
But Tony Ardizzone is a good writer, who has a "blazing imagination" [to quote a review from "Culture Watch"] and who supplies descriptions vivid enough to allow you to enter this world.
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