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Otis!: The Otis Redding Story, by Scott Freeman
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Rolling Stone's Jon Landau described Otis Redding's music as "the highest level of expression rock 'n' roll has yet attained." And now from the critically acclaimed author of Midnight Riders: The Story of the Allman Brothers Band comes an intimate look at soul brother number one and the undisputed king of soul, Otis Redding.
Music was his sole occupation. Inspired by the works of Little Richard, a singer raised in a small town just miles from his own, Otis Redding knew he wanted to become a singer. This dream, his father said, would lead him nowhere, but when Otis Redding first burst onto the scene in 1962 with his R&B hit "These Arms of Mine" music enthusiasts knew they were listening to the voice of a star. With over fourteen songs gracing the top 20 chart, Otis Redding soon became a music phenomenon. Crooning tunes such as "Respect," "I Can't Stop Loving You," and "Try a Little Tenderness," Otis Redding defined a new generation of R&B music.
He solidified his position as a superstar by stealing the spotlight at concerts like the Monterey Pop Festival in 1967. But at the height of his career, three days after completing his most popular song "(Sittin' On) The Dock of the Bay," Otis Redding died in a tragic plane crash over Madison, Wisconsin.
Now, Otis!: The Otis Redding Story tells the true life story of the Rock and Roll Hall of Fame legend who changed the face of R&B music. This revealing portrait is hailed as the most definitive text on the man who embodied the very essence of soul.
- Sales Rank: #1465758 in Books
- Published on: 2001-12-11
- Original language: English
- Number of items: 1
- Dimensions: 9.60" h x .96" w x 6.28" l,
- Binding: Hardcover
- 256 pages
From Publishers Weekly
Before his death in 1967 at the age of 26, the legendary soul singer Otis Redding was the premier act of the Stax-Volt record company, whose recordings by Booker T. & the MG's and Sam & Dave, among others, offered a Southern-based brew of R&B, funk and blues that was Motown Records' main competitor in the mid- to late-1960s. Freeman, whose excellent Midnight Riders explored the Allman Brothers' revolutionary Southern rock, has produced another well-written, expertly researched and culturally sensitive chapter in the history of Southern popular music, as well as the first truly in-depth view of the man whose powerful stage presence and commanding vocals made him the first soul artist to cross over to a predominantly white, rock-oriented audience. Redding's music is given its proper context in the black community of Macon, Ga. which also produced Little Richard and James Brown and in the managing career of Phil Walden, a young white soul fan who managed and directed Redding's career and began a Macon-based musical empire that, unlike most Southern labels, achieved success based on a true unity of black and white musicians . But Freeman is no hagiographer: he makes it clear that both Redding and Walden were tough characters with their eyes on the money, too. This nuanced account of Redding's celebrated career, which ended only three days after he recorded the song "The Dock of the Bay," proves that he deserves his place in the pantheon of great American singers. Eight pages of photos not seen by PW. (Dec.) Forecast: With a national radio campaign and supported by the enduring popularity of Redding's music, this should be a success with audiences interested in classic American roots music.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
"He knew this was the record that was going to open a door long nailed shut; he just never got to step inside." That is how Freeman describes "(Sittin' on) the Dock of the Bay," Redding's first No. 1 hit on both the R&B and pop charts in 1968. The song was another confirmation of Redding's skill as well as his break into the white artist-dominated mainstream. Sadly, he died in a plane crash days after recording it in 1967. As editor of Atlanta magazine and author of the critically acclaimed Midnight Riders: The Story of the Allman Brothers Band (Scott Freeman, 1995) Freeman, as only a Georgia native can, forthrightly portrays his subject's life from his meager, sometimes criminal, beginnings as a Little Richard wannabe in Macon, GA, to his rise to King of Soul with his fiery sessions for Stax Records and legendary performance at the Monterey International Pop Festival. With industrious research and countless interviews with Georgia musicians and locals, Otis! not only chronicles Redding's story but also explains how Motown rival Stax crafted its country-soul sound with a roster that included Booker T. and the MG's and James Brown. Jane Schiesel's The Otis Redding Story (1973) has long been out of print, so this update is welcome. For all public libraries. Eric Hahn, Fargo, ND
Copyright 2001 Reed Business Information, Inc.
From Booklist
Otis Redding is one of the many rock icons as famous for his death as for his records. Touted by the Rolling Stones as the only one to cover one of their songs well--"Satisfaction"--he was just starting to realize his mass-market potential after conquering soul music. The same rock concert movie, Monterey Pop Festival, that broke Jimi Hendrix and the Who in the U.S. brought him wider attention, and his subsequent single, "(Sittin' on) The Dock of the Bay," became a huge mainstream hit, unfortunately posthumously. He died in a 1967 airplane crash into Wisconsin's Lake Monona--"just outside Madison," Freeman says, though it's in the middle of the city--which became mysterious when claims arose that a record company exec had the plane sabotaged to collect on life insurance on Redding. An important resource on a black performer who had begun to appeal to white audiences before that was common, and also on the famous soul music record company Stax, this is a fine and vital pop-music book. Mike Tribby
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 6 people found the following review helpful.
OTIS!
By L. Leysath
It was nice to hear the other side of Otis Redding's upcoming family and friends (something different) in this book.
However, it would have been really good to hear what Otis Redding's Stax family (1963 - 1967) really had to say about him in this book when they were working closely behind him in the studio and also to mention what do they think about him after 35yrs since his death...That part should have been added on to this book..Otis has a Stax's family too...
I dont think its fair to have that old little bits and bits statements that was pick up from another story from a book or magazine so long ago...that I what notice in this book called Otis!..
This book was clearly written on one side of the story. I am sure that there are many untold stories told about Otis Redding, in the studio that the stax family can really tell us today.
For example, of many...I would like to know from Issac Hayes side of the story, his memory of singing in the background song in Otis Redding's song and why it happened.. The song was called "Fa-Fa-Fa Sad Song"...stories like that should have been brought more.
No matter what is said, Otis Redding will live on forever.....
3 of 4 people found the following review helpful.
Freeman Does A Fine Job!
By Fred Decker
I have enjoyed Otis Redding's music for a long time, but I never realized how little I actually knew about him. Everything I have ever read about Otis Redding portrays him as close to perfect. He was a great singer, a great performer, and everybody loved him. That's nice, but what was he really like? Scott Freeman does a good job of showing a more complete and therefore more human Otis Redding. There are some definite surprises. Did you know that Otis once got in a gun fight? Scott Freeman did some nice research into the musical world that Otis lived in. He started this research almost by accident. Freeman played guitar in an R & B band in Macon, Georgia in the 1980's while writing for the Macon Telegraph and News. Many of the old musicians from Otis' times were still active and would sit in with the band. They were still playing great, and Freeman got interested in them. He wound up interviewing many of the old timers for this book, and their memories fill in the details of those times. This is a valuable book for Otis Redding fans!
0 of 0 people found the following review helpful.
My hero
By D. Sean Brickell
Otis Redding was my musical hero. Like so many millions of fans, his songs touched my very soul, and still do today. It was through this biased lens that I read this book. The events of Otis's short life have been well documented by now, but never so fully before. Readers get to know the real Otis in all his majesty and faults. Time heals all wounds, and its easy to forget the impact Otis's death had. Similarly time dulls memories of accomplishments, and lest we ever forget Otis's many contributions I hope this book will find a wide audience. The research has been done with painstaking care. The writing manages to stay objective, even through the author obviously is deeply involved in his subject. Thank you for this work. It's a book I'll read again every few years, just as surely as I return to Otis's recordings regularly to recall why I love his music.
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