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A definitive biography, ten years in the making, of Russia's greatest twentieth-century woman poet recounts her aristocratic childhood in St. Petersburg, her reputation for clairvoyance, her influential innovations in the art of poetry, her abuse by Stalin, and more.
- Sales Rank: #882700 in Books
- Published on: 1994-12
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 7.00" w x 2.25" l,
- Binding: Hardcover
- 619 pages
From Publishers Weekly
In this monumental biography of one of Russia's-and the 20th century's-greatest poets, Reeder, editor of the poet's complete works, deftly combines incisive literary analysis with a complex portrait of Akhmatova (1889-1966) and her turbulent times. Initially influenced by the Symbolists and Imagists, the poet became more oracular, moving from the "chamber intimacy" of her earlier work to poetry that increasingly addressed the oppressiveness of the Russian people: "I-am your voice," one poem proclaims. So fervently did Akhmatova embrace this role that Stalin's regime suppressed her poetry for 20 years. Drawing upon interviews with the poet's friends and colleagues, some interviewed for the first time for publication, Reeder humanizes a woman lionized by the Russian people. Oppressed by governmental scrutiny, she was sometimes afraid to commit poetry to paper, relying instead on her memory and on those of her friends. Her romantic entanglements with Modigliani and Pasternak (whose persistent advances she rebuffed), as well as a sense of self-mockery about her exalted status, give further depth to Reeder's absorbing study. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.
From Library Journal
"The chamber intimacy of Akhmatova... what meaning [does it] have for our harsh, iron age?" asked the poet Vladimir Mayakovsky in the early days of the revolution. That intimacy has in fact proved remarkably enduring, but for decades Akhmatova faced censure, deprivation, and the imprisonment and death of loved ones before her genius-recognized in the early 1900s-was again acknowledged by the regime. Reeder, editor of The Complete Works of Anna Akhamatova (LJ 4/1/90), does not emulate her subject's spare, lucid verse, offering instead a richly detailed, exhaustively-indeed, exhaustingly-researched work. She brings in other writers with whom Akhmatova was linked, analyzing and quoting from their works as well as Akhmatova's, and while the result is a nice overview of the era, the poet does get lost in the process. Reeder seems to have hunted down every last reminiscence, however peripheral, and some filtering might have resulted in a stronger portrait. Still, this major study of a major poet usefully assembles a breadth of material. Recommended for academic and larger public libraries.
--Barbara Hoffert, "Library Journal"
Copyright 1994 Reed Business Information, Inc.
From Booklist
One of Russia's greatest poets, Akhmatova (1889-1966) was born as the curtain fell on Imperial Russia and lived to endure and write about the deprivations and horrors of the Soviet regime. A profoundly private person, Akhmatova is not an easy subject for a in-depth psychological portrait, but Reeder has done well with the material at hand, illuminating both Akhmatova and her world. Akhmatova's childhood was not a happy one, but she felt a distinct sense of destiny about her future, a prescience she possessed throughout her difficult life. Her first book of poems, Evening, was published in 1912 and Akhmatova, slender and regal, was soon at the very center of St. Petersburg's literary circle. An admirer of Pushkin, Akhmatova created emotional resonance with simple words linked in unexpected combinations. She also managed to fill her poems with the sort of dynamic psychology found in the novels of Tolstoy and Dostoevsky. Deeply patriotic, Akhmatova refused to leave her poor crushed country even after she was no longer allowed to publish, and her son was imprisoned and tortured. A woman of courage and immense spiritual strength, Akhmatova lived a life of calm dignity and integrity under a reign of terror, all the while writing poetry radiant with beauty, sorrow, and forgiveness. Donna Seaman
Most helpful customer reviews
6 of 8 people found the following review helpful.
Indigestible
By Irina Hynes
This is an exhaustively researched biography; no stone is left unturned in the names, places, dates and events of the poet Akhmatova's life. However, Reeder doesn't seem to manage compiling the mountain of data into a flowing narrative. The effect is a bit like watching a homemade movie made with a handheld camera, constantly zooming around and giving a sudden close-up of something. Suddenly, you'll get several pages in which she heavily excerpts other works about a particular person's life, even at the expense of shining any light on Akhamatova herself. In the section she devotes to the poet Osip Mandelstam, we are suddenly told that he "had the brilliant idea of getting a cow" to survive his exile. In fact, his widow Nadezhda wrote in her superlative memoir that getting a cow was her idea and (Osip) was "not keen on my plan ... 'Nothing ever comes of such schemes,' he said." Ultimately, Reeder's biography feels a bit clinical. She does a good job at analyzing the poetry, but Akhmatova herself eludes us. (By the way, to hear Akhmatova reciting her own poetry, go to [...] then click on "Voices.")
4 of 5 people found the following review helpful.
An interesting character in interesting times
By DOROTHY
Beautifully written bringing to life the real Anna set in the real history of that period in Russia. Both a history lesson and a poetry lesson.
7 of 9 people found the following review helpful.
Chock full bio of a fascinating muse, great poet
By M. holland
First of all,
I've read this bio
Twice thru
and still, not enough!
Akhmatova had a fascinating beauty. Painted and photographed by many.
She was a great poet who evolved during
Un imaginable tumolt . She witnessed this & uncannily endured.
But what an undivided love and loyalty
left over riding
for this place called Russia.
What a strange continent this must be..
What a place of paradoxs, Russia must be.
This rich bio lends all of that.
One of my FAVORITE biographies, ever!
i
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